Bridie Fitzgerald - Memories on Rails #4

A$250.00

Giclée Archival Print, Rail Template, 18cm x 15cm (Print Size), 2022

Bridie Fitzgerald is a Naarm-based multidisciplinary artist working across several mediums of lens-based creating. Through her practice, she seeks to identify the connections between place and personhood through traditional photographic processes. She focuses predominantly on the relationship between our native flora and fauna, and her personal experiences growing up and creating in so-called Australia. Working in a film developing lab over the past few years has informed Fitzgerald’s practice regarding manual developing and alternative printing techniques. This has established a newfound appreciation for the artist's incorporation in the developing process.

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Giclée Archival Print, Rail Template, 18cm x 15cm (Print Size), 2022

Bridie Fitzgerald is a Naarm-based multidisciplinary artist working across several mediums of lens-based creating. Through her practice, she seeks to identify the connections between place and personhood through traditional photographic processes. She focuses predominantly on the relationship between our native flora and fauna, and her personal experiences growing up and creating in so-called Australia. Working in a film developing lab over the past few years has informed Fitzgerald’s practice regarding manual developing and alternative printing techniques. This has established a newfound appreciation for the artist's incorporation in the developing process.

Giclée Archival Print, Rail Template, 18cm x 15cm (Print Size), 2022

Bridie Fitzgerald is a Naarm-based multidisciplinary artist working across several mediums of lens-based creating. Through her practice, she seeks to identify the connections between place and personhood through traditional photographic processes. She focuses predominantly on the relationship between our native flora and fauna, and her personal experiences growing up and creating in so-called Australia. Working in a film developing lab over the past few years has informed Fitzgerald’s practice regarding manual developing and alternative printing techniques. This has established a newfound appreciation for the artist's incorporation in the developing process.